Concerto Köln is one of the leading orchestras for historically informed musical performances and recordings. Recent concerts of Wagner’s “Rheingold” and an album released together with soprano Jeanine De Bique have been celebrated and praised by critics and listeners alike. The conceptual originality of their work seems endless. In their newest album “Pi – Pisendel”, baroque violinist Mayumi Hirasaki, Concerto Köln’s leading concertmaster for the past ten years is highlighted. As an inspiration for the program served her historical role model, the violin virtuoso, composer and concertmaster himself Johann Georg Pisendel. According to Hirasaki “It should be a program that doesn’t only focus on me as a violinist, but also unfolds the virtuosity of the whole orchestra.” Together as a unit concertmaster and ensemble present a diverse selection of Pisendel’s pieces that stand out through their rich orchestration, stylistic variety and instrumental virtuosity. Again, the artistic vision of Hirasaki and the concerto Köln captures the imagination of the listener with an accurate recreation of the historic sound and an innovative, refreshing interpretation.

Pisendel Concerto Köln & Mayumi Hirasaki

Artist

Concerto Köln
Mayumi Hirasaki

Composer

Johann Georg Pisendel

Further information

Genre

Klassik
Barock

Publication date

03.02.2023



Concerto Köln is one of the leading orchestras for historically informed musical performances and recordings. Recent concerts of Wagner’s “Rheingold” and an album released together with soprano Jeanine De Bique have been celebrated and praised by critics and listeners alike. The conceptual originality of their work seems endless. In their newest album “Pi – Pisendel”, baroque violinist Mayumi Hirasaki, Concerto Köln’s leading concertmaster for the past ten years is highlighted. As an inspiration for the program served her historical role model, the violin virtuoso, composer and concertmaster himself Johann Georg Pisendel. According to Hirasaki “It should be a program that doesn't only focus on me as a violinist, but also unfolds the virtuosity of the whole orchestra.” Together as a unit concertmaster and ensemble present a diverse selection of Pisendel’s pieces that stand out through their rich orchestration, stylistic variety and instrumental virtuosity. Again, the artistic vision of Hirasaki and the concerto Köln captures the imagination of the listener with an accurate recreation of the historic sound and an innovative, refreshing interpretation.

Tracklist - These are the tracks you will hear on the album

Pisendel
Concerto Köln & Mayumi Hirasaki
1
Fanfare
2
I. Vivace
3
II. Andante
4
III. Allegro
5
I. Largo
6
II. Allegro
7
I. Allegro
8
II. Moderato
9
III. Allegro assai
10
Imitation des Caracteres de la Danse
11
I. Allegro e sostenuto / non tanto Allegro
12
II. Andante
13
III. Allegro
14
I. Allegro di molto
15
II. Andantino
16
III. Tempo di Menuet
17
I. Allegro
18
II. Larghetto
19
III. Allegro

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Concerto Köln, Marie Sophie Pollak & Max Volbers - Bach vs. Scheibe (Offizieller Albumtrailer)
Lobet Gott in seinen Reichen, BWV 11: X. Aria. Jesu, deine Gnadenblicke
Himmelskönig, sei willkommen, BWV 182: I. Sonata
Die Auferstehung und Himmelfahrt Jesu, SchW B2:301: XIII. Aria. Willkommen, Heiland
Jauchzet Gott in allen Landen, BWV 51: I. Aria. Jauchzet Gott in allen Landen
Der Tempel des Ruhmes, Sinfonia in D Major: II. Larghetto
Süsser Trost, mein Jesus kömmt, BWV 151: I. Aria. Süsser Trost, mein Jesus kömmt
Wer sich rühmen will, SchW B2:204: V. Aria. Edle Unschuld, gib die Gründe
Geschwinde, ihr wirbelnden Winde, BWV 201: III. Aria. Patron, das macht der Wind
Der Tempel des Ruhmes, Sinfonia in D Major: I. Allegro assai
Sinfonia from Den døende Jesus, SchW B2:302
Ich hatte viel Bekümmernis, BWV 21: I. Sinfonia
Der Tempel des Ruhmes, Sinfonia in D Major: III. Presto
Sinfonia in D Major, BWV 1045
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