{"id":1283262,"date":"2024-09-13T00:00:00","date_gmt":"2024-09-12T22:00:00","guid":{"rendered":"https:\/\/www.berlin-classics-music.com\/album\/885470035284-504533-4n-134730-3e-2\/"},"modified":"2024-09-13T00:00:00","modified_gmt":"2024-09-12T22:00:00","slug":"885470035284-504533-4n-134730-3e-2","status":"publish","type":"album","link":"https:\/\/www.berlin-classics-music.com\/en\/album\/885470035284-504533-4n-134730-3e-2\/","title":{"rendered":"885470035284 50\u00b045&#8217;33.4&#8243;n 13\u00b047&#8217;30.3&#8243;E"},"content":{"rendered":"<p>With his \u201cBach Organ Landscapes\u201d project, J\u00f6rg Halubek is aiming for nothing less than a complete recording of Bach&#8217;s organ works. In doing so, he is unfolding an impressive panorama of organ landscapes and organ building traditions. Since 2020, he has portrayed twelve different locations and their unique organs on seven double albums to date. With a careful eye for the unique cultural heritage of the instruments of the Bach regions, he is in search of the original Bach sound. A rich collection of digital material accompanies the publication: www.organ-landscapes.com\/<\/p>\n<p>The eighth album \u201cSteinberg \u2219 Geising\u201d will be released on September 13.<\/p>\n<p>Bach&#8217;s music library was gigantic. He was particularly interested in the Italian composers of his time, whom he studied intensively. His admiration for the Italian masters was reflected in his organ transcriptions of Antonio Vivaldi&#8217;s concerti. J\u00f6rg Halubek now devotes himself to these arrangements from Bach&#8217;s pen as well as his trio sonatas on \u201cBach Organ Landscapes\u201d Vol. 8: \u201cThe organs need cantability and many colors in order to be able to register the trio sonatas in a varied manner. The virtuosity and filigree of the trio sonatas doesn&#8217;t seem to me to be intended for a large, gravitational organ; it&#8217;s about chamber music,\u201d says J\u00f6rg Halubek. This is why he chose the organ in the village church in Rothenkirchen (Steinberg) by the Trampeli brothers from 1796 and the organ in the town church in Geising by Johann Daniel Ranft, which was built between 1755 and 1757. \u201cI have selected more remote organ builders who are directly connected to the Silbermann school, but who develop it further or contrast with it: The organ by the Silbermann pupil Trampeli in Rothenkirchen and also the organ by Ranft in Geising have numerous 8&#8242; colors, already going into a cantabile, rounder voicing. I was very touched by these two instruments. In Rothenkirchen, every stop sings. The organ has sound and personality.\u201d<\/p>\n<p>Harpsichordist, conductor and organist J\u00f6rg Halubek is one of the most versatile artists on the music scene. In recent years, he has performed primarily as a \u201cmaestro al harpsichord\u201d, including with his orchestra il Gusto Barocco and at international guest appearances. His expertise in dealing with early music is demonstrated by numerous recordings, including Georg Friedrich H\u00e4ndels\/Georg Philipp Telemann&#8217;s \u201cCleofida\u201d (2022) or Johann David Heinichen&#8217;s \u201cFlavio\u201d as well as Bach&#8217;s violin sonatas with Leila Schayegh. A recording of the first performance of Sigismund Kusser&#8217;s unknown baroque opera \u201cAdonis\u201d was released by cpo with il Gusto Barocco on January 30, 2024.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>With his \u201cBach Organ Landscapes\u201d project, J\u00f6rg Halubek is aiming for nothing less than a complete recording of Bach&#8217;s organ works. In doing so, he is unfolding an impressive panorama of organ landscapes and organ building traditions. Since 2020, he has portrayed twelve different locations and their unique organs on seven double albums to date. [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","meta":{"dmbid":"1516689","upc":"885470035284","linkfire":"https:\/\/BC.lnk.to\/organlandscapessteinberg","ean":"","genre":"Klassik","genre2":"Orgel","genre3":"","copyright":"","producer":"","playtime":"7810","date":"2024-09-13","dateend":"2099-12-31","trackamount":"30","discamount":"1","artistsname":"","composer":"Johann Sebastian Bach","teammember":["1009;J\u00f6rg Halubek;1972785|1010;Johann Sebastian Bach;43683"],"teammemberlist":["1972785|43683"],"english":"<br \/><br \/>\n<br \/><br \/>\nWith his \u201cBach Organ Landscapes\u201d project, J\u00f6rg Halubek is aiming for nothing less than a complete recording of Bach's organ works. In doing so, he is unfolding an impressive panorama of organ landscapes and organ building traditions. Since 2020, he has portrayed twelve different locations and their unique organs on seven double albums to date. With a careful eye for the unique cultural heritage of the instruments of the Bach regions, he is in search of the original Bach sound. A rich collection of digital material accompanies the publication: www.organ-landscapes.com\/<br \/><br \/>\n<br \/><br \/>\nThe eighth album \u201cSteinberg \u2219 Geising\u201d will be released on September 13.<br \/><br \/>\n<br \/><br \/>\nBach's music library was gigantic. He was particularly interested in the Italian composers of his time, whom he studied intensively. His admiration for the Italian masters was reflected in his organ transcriptions of Antonio Vivaldi's concerti. J\u00f6rg Halubek now devotes himself to these arrangements from Bach's pen as well as his trio sonatas on \u201cBach Organ Landscapes\u201d Vol. 8: \u201cThe organs need cantability and many colors in order to be able to register the trio sonatas in a varied manner. The virtuosity and filigree of the trio sonatas doesn't seem to me to be intended for a large, gravitational organ; it's about chamber music,\u201d says J\u00f6rg Halubek. This is why he chose the organ in the village church in Rothenkirchen (Steinberg) by the Trampeli brothers from 1796 and the organ in the town church in Geising by Johann Daniel Ranft, which was built between 1755 and 1757. \u201cI have selected more remote organ builders who are directly connected to the Silbermann school, but who develop it further or contrast with it: The organ by the Silbermann pupil Trampeli in Rothenkirchen and also the organ by Ranft in Geising have numerous 8' colors, already going into a cantabile, rounder voicing. I was very touched by these two instruments. In Rothenkirchen, every stop sings. The organ has sound and personality.\u201d<br \/><br \/>\n<br \/><br \/>\nHarpsichordist, conductor and organist J\u00f6rg Halubek is one of the most versatile artists on the music scene. In recent years, he has performed primarily as a \u201cmaestro al harpsichord\u201d, including with his orchestra il Gusto Barocco and at international guest appearances. His expertise in dealing with early music is demonstrated by numerous recordings, including Georg Friedrich H\u00e4ndels\/Georg Philipp Telemann's \u201cCleofida\u201d (2022) or Johann David Heinichen's \u201cFlavio\u201d as well as Bach's violin sonatas with Leila Schayegh. A recording of the first performance of Sigismund Kusser's unknown baroque opera \u201cAdonis\u201d was released by cpo with il Gusto Barocco on January 30, 2024.","imageage":[],"spotify_checked":["6s568Ig1OI7EFcaSUbGjC0"],"age":[""],"playlist":[""],"alt_text":"Release-Cover \u201eBach: Organ Landscapes (Steinberg, Geising)\u201c von Organist J\u00f6rg Halubek. Dunkles Schwarz-Wei\u00df-Foto von J\u00f6rg Halubek im Wald, von hinten mit leichtem Seitenblick, \u00fcberlagert von Koordinaten-Typografie; k\u00fchle, stille Naturstimmung und hohe Kontraste.","topics":[null],"footnotes":""},"categories":[181,20,36],"dmb-topic-category":[],"class_list":["post-1283262","album","type-album","status-publish","format-standard","hentry","category-album","category-klassik","category-orgel","post-wrapper","thrv_wrapper"],"_links":{"self":[{"href":"https:\/\/www.berlin-classics-music.com\/en\/wp-json\/wp\/v2\/album\/1283262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.berlin-classics-music.com\/en\/wp-json\/wp\/v2\/album"}],"about":[{"href":"https:\/\/www.berlin-classics-music.com\/en\/wp-json\/wp\/v2\/types\/album"}],"author":[{"embeddable":true,"href":"https:\/\/www.berlin-classics-music.com\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.berlin-classics-music.com\/en\/wp-json\/wp\/v2\/comments?post=1283262"}],"version-history":[{"count":0,"href":"https:\/\/www.berlin-classics-music.com\/en\/wp-json\/wp\/v2\/album\/1283262\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.berlin-classics-music.com\/en\/wp-json\/wp\/v2\/media?parent=1283262"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.berlin-classics-music.com\/en\/wp-json\/wp\/v2\/categories?post=1283262"},{"taxonomy":"dmb-topic-category","embeddable":true,"href":"https:\/\/www.berlin-classics-music.com\/en\/wp-json\/wp\/v2\/dmb-topic-category?post=1283262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}