\nThe title \u201cBach Organ Landscapes\u201d heralds a new complete recording of Bach\u2019s organ works, to be released over the next few years. The project is planned round ten historic organ builders who played a part in the life of Johann Sebastian Bach. No other instrument merges space with sound so strongly as the organ. The more closely we study the history of music, moreover, the more we appreciate the key role of regional developments: certain organ builders and composers created instruments and composed organ works that in their totality form \u201corgan landscapes\u201d. And so we had to travel to the world of those organists.
\nBach’s musical contribution to organ literature cannot be overestimated. It is a resounding testimony to his roots in an equally resounding landscape, which he himself shaped through his work as an organ expert and with organ builders. With two double albums from Ansbach and Waltershausen, J\u00f6rg Halubek invites you to join him on this journey. In Waltershausen, Bach’s visionary composition \u201cDritter Theil der Clavier \u00dcbung\u201c is combined with Tobias Heinrich Gottfried Trost’s providence in organ building. Johann Christoph Wiegleb went one step further in Ansbach, whose organ from 1738 is made to sound in countless different colors by the Leipzig choral arrangements.
\nJ\u00f6rg Halubek studied church music, organ and harpsichord in Stuttgart and Freiburg with Jon Laukvik and Robert Hill. At the Schola Cantorum Basiliensis, he specialized in period performance practice with Jesper Christensen and Andrea Marcon. He won first prize in the 2014 International Johann Sebastian Bach Competition in Leipzig in the Organ category.
\nIn recent years, J\u00f6rg Halubek appeared in the first place as \u201cMaestro al Cembalo\u201d. As guest artist, J\u00f6rg Halubek directed from the harpsichord at such venues as the Komische Oper Berlin, Nationaltheater Mannheim, the Handel Festival in Halle, Innsbruck\u2019s Festival Weeks of Early Music, the Wuppertal Opera and the Stuttgart Liederhalle. As guest conductor since 2012 at Kassel\u2019s Staatstheater he is regularly in charge of opera productions, directing such works as Mozart\u2019s \u201cLucio Silla\u201d, Gluck\u2019s \u201cIphig\u00e9nie\u201d and Handel\u2019s \u201cSaul\u201d. His particular concern is for the dramatic relevance of the historical material and he is a strong advocate of making full use of early music\u2019s freedoms in one\u2019s interpretation.<\/p>\n","protected":false},"excerpt":{"rendered":"
The title \u201cBach Organ Landscapes\u201d heralds a new complete recording of Bach\u2019s organ works, to be released over the next few years. The project is planned round ten historic organ builders who played a part in the life of Johann Sebastian Bach. No other instrument merges space with sound so strongly as the organ. The […]<\/p>\n","protected":false},"author":4,"featured_media":1259500,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","meta":{"dmbid":"731778","upc":"885470016375","linkfire":"https:\/\/BC.lnk.to\/Ansbach","ean":"","genre":"Orgel","genre2":"","genre3":"","copyright":"","producer":"","playtime":"6598","date":"2020-11-06","dateend":"2099-12-31","trackamount":"24","discamount":"1","artistsname":"","composer":"Johann Sebastian Bach","teammember":["1009;J\u00f6rg Halubek;1972785|1010;Johann Sebastian Bach;43683"],"teammemberlist":["1972785|43683"],"english":"
\nThe title \u201cBach Organ Landscapes\u201d heralds a new complete recording of Bach\u2019s organ works, to be released over the next few years. The project is planned round ten historic organ builders who played a part in the life of Johann Sebastian Bach. No other instrument merges space with sound so strongly as the organ. The more closely we study the history of music, moreover, the more we appreciate the key role of regional developments: certain organ builders and composers created instruments and composed organ works that in their totality form \u201corgan landscapes\u201d. And so we had to travel to the world of those organists.
\nBach's musical contribution to organ literature cannot be overestimated. It is a resounding testimony to his roots in an equally resounding landscape, which he himself shaped through his work as an organ expert and with organ builders. With two double albums from Ansbach and Waltershausen, J\u00f6rg Halubek invites you to join him on this journey. In Waltershausen, Bach's visionary composition \u201cDritter Theil der Clavier \u00dcbung\u201c is combined with Tobias Heinrich Gottfried Trost's providence in organ building. Johann Christoph Wiegleb went one step further in Ansbach, whose organ from 1738 is made to sound in countless different colors by the Leipzig choral arrangements.
\nJ\u00f6rg Halubek studied church music, organ and harpsichord in Stuttgart and Freiburg with Jon Laukvik and Robert Hill. At the Schola Cantorum Basiliensis, he specialized in period performance practice with Jesper Christensen and Andrea Marcon. He won first prize in the 2014 International Johann Sebastian Bach Competition in Leipzig in the Organ category.
\nIn recent years, J\u00f6rg Halubek appeared in the first place as \u201cMaestro al Cembalo\u201d. As guest artist, J\u00f6rg Halubek directed from the harpsichord at such venues as the Komische Oper Berlin, Nationaltheater Mannheim, the Handel Festival in Halle, Innsbruck\u2019s Festival Weeks of Early Music, the Wuppertal Opera and the Stuttgart Liederhalle. As guest conductor since 2012 at Kassel\u2019s Staatstheater he is regularly in charge of opera productions, directing such works as Mozart\u2019s \u201cLucio Silla\u201d, Gluck\u2019s \u201cIphig\u00e9nie\u201d and Handel\u2019s \u201cSaul\u201d. His particular concern is for the dramatic relevance of the historical material and he is a strong advocate of making full use of early music\u2019s freedoms in one\u2019s interpretation.
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