The title “Bach Organ Landscapes” heralds a new complete recording of Bach’s organ works, to be released over the next few years. The project is planned round ten historic organ builders who played a part in the life of Johann Sebastian Bach. No other instrument merges space with sound so strongly as the organ. The more closely we study the history of music, moreover, the more we appreciate the key role of regional developments: certain organ builders and composers created instruments and composed organ works that in their totality form “organ landscapes”. And so we had to travel to the world of those organists.

Bach’s musical contribution to organ literature cannot be overestimated. It is a resounding testimony to his roots in an equally resounding landscape, which he himself shaped through his work as an organ expert and with organ builders. With two double albums from Ansbach and Waltershausen, Jörg Halubek invites you to join him on this journey. In Waltershausen, Bach’s visionary composition “Dritter Theil der Clavier Übung“ is combined with Tobias Heinrich Gottfried Trost’s providence in organ building. Johann Christoph Wiegleb went one step further in Ansbach, whose organ from 1738 is made to sound in countless different colors by the Leipzig choral arrangements.

Jörg Halubek studied church music, organ and harpsichord in Stuttgart and Freiburg with Jon Laukvik and Robert Hill. At the Schola Cantorum Basiliensis, he specialized in period performance practice with Jesper Christensen and Andrea Marcon. He won first prize in the 2014 International Johann Sebastian Bach Competition in Leipzig in the Organ category.

In recent years, Jörg Halubek appeared in the first place as “Maestro al Cembalo”. As guest artist, Jörg Halubek directed from the harpsichord at such venues as the Komische Oper Berlin, Nationaltheater Mannheim, the Handel Festival in Halle, Innsbruck’s Festival Weeks of Early Music, the Wuppertal Opera and the Stuttgart Liederhalle. As guest conductor since 2012 at Kassel’s Staatstheater he is regularly in charge of opera productions, directing such works as Mozart’s “Lucio Silla”, Gluck’s “Iphigénie” and Handel’s “Saul”. His particular concern is for the dramatic relevance of the historical material and he is a strong advocate of making full use of early music’s freedoms in one’s interpretation.

50°53'53.9"N 10°33'22.6"E Jörg Halubek

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Johann Sebastian Bach

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Orgel

Erscheinungsdatum:

23.10.2020



The title “Bach Organ Landscapes” heralds a new complete recording of Bach’s organ works, to be released over the next few years. The project is planned round ten historic organ builders who played a part in the life of Johann Sebastian Bach. No other instrument merges space with sound so strongly as the organ. The more closely we study the history of music, moreover, the more we appreciate the key role of regional developments: certain organ builders and composers created instruments and composed organ works that in their totality form “organ landscapes”. And so we had to travel to the world of those organists.

Bach's musical contribution to organ literature cannot be overestimated. It is a resounding testimony to his roots in an equally resounding landscape, which he himself shaped through his work as an organ expert and with organ builders. With two double albums from Ansbach and Waltershausen, Jörg Halubek invites you to join him on this journey. In Waltershausen, Bach's visionary composition “Dritter Theil der Clavier Übung“ is combined with Tobias Heinrich Gottfried Trost's providence in organ building. Johann Christoph Wiegleb went one step further in Ansbach, whose organ from 1738 is made to sound in countless different colors by the Leipzig choral arrangements.

Jörg Halubek studied church music, organ and harpsichord in Stuttgart and Freiburg with Jon Laukvik and Robert Hill. At the Schola Cantorum Basiliensis, he specialized in period performance practice with Jesper Christensen and Andrea Marcon. He won first prize in the 2014 International Johann Sebastian Bach Competition in Leipzig in the Organ category.

In recent years, Jörg Halubek appeared in the first place as “Maestro al Cembalo”. As guest artist, Jörg Halubek directed from the harpsichord at such venues as the Komische Oper Berlin, Nationaltheater Mannheim, the Handel Festival in Halle, Innsbruck’s Festival Weeks of Early Music, the Wuppertal Opera and the Stuttgart Liederhalle. As guest conductor since 2012 at Kassel’s Staatstheater he is regularly in charge of opera productions, directing such works as Mozart’s “Lucio Silla”, Gluck’s “Iphigénie” and Handel’s “Saul”. His particular concern is for the dramatic relevance of the historical material and he is a strong advocate of making full use of early music’s freedoms in one’s interpretation.

Trackliste - Diese Titel hören Sie auf dem Album

50°53'53.9"N 10°33'22.6"E
Jörg Halubek
1 Praeludium pro Organo pleno, BWV 552/1
2 Kyrie, Gott Vater in Ewigkeit, BWV 669
3 Christe, aller Welt Trost, BWV 670
4 Kyrie, Gott heiliger Geist, BWV 671
5 Kyrie, Gott Vater in Ewigkeit, BWV 672
6 Christe, aller Welt Trost, BWV 673
7 Kyrie, Gott heiliger Geist, BWV 674
8 Allein Gott in der Höh sei Ehr, BWV 675
9 Allein Gott in der Höh sei Ehr, BWV 676
10 Fughetta super Allein Gott in der Höh sei Ehr, BWV 677
11 Dies sind die heiligen zehen Gebot, BWV 678
12 Fughetta super Dies sind die heiligen zehen Gebot, BWV 679
13 Wir gläuben all an einen Gott, BWV 680
14 Fughetta super Wir gläuben all an einen Gott, BWV 681
15 Vater unser im Himmelreich, BWV 682
16 Vater unser im Himmelreich, BWV 683
17 Christ unser Herr zum Jordan kam, BWV 684
18 Christ unser Herr zum Jordan kam, BWV 685
19 Aus tiefer Not schrei ich zu dir, BWV 686
20 Aus tiefer Not schrei ich zu dir, BWV 687
21 Jesus Christus, unser Heiland, BWV 688
22 Fuga super Jesus Christus, unser Heiland, BWV 689
23 Duetto I BWV 802
24 Duetto II BWV 803
25 Duetto III BWV 804
26 Duetto IV BWV 805
27 Fuga pro Organo pleno BWV 552/2

Weitere Videos von Jörg Halubek

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Bach: Brandenburg Concerto No. 5: II. Affettuoso / Il Gusto Barocco, Jörg Halubek
Praeludium pro Organo pleno, BWV 552/1
Vor deinen Thron tret ich / Wenn wir in höchsten Nöten, BWV 668
Nun komm der Heiden Heiland, BWV 661
Trio super Nun komm der Heiden Heiland, BWV 660

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